{"id":114,"date":"2009-05-27T01:00:50","date_gmt":"2009-05-26T23:00:50","guid":{"rendered":"http:\/\/www.vivofilm.it\/?p=114"},"modified":"2017-06-15T17:31:42","modified_gmt":"2017-06-15T17:31:42","slug":"bruno-trentin","status":"publish","type":"post","link":"https:\/\/vivofilm.it\/en\/production\/bruno-trentin\/","title":{"rendered":"With the fury of a boy. A portrait of Bruno Trentin"},"content":{"rendered":"<p>Original title:\u00a0<strong>Con la furia di un ragazzo. Un ritratto di Bruno Trentin<\/strong><\/p>\n<p>In 1998 Franco Giraldi interviewed Bruno Trentin, on behalf of Aamod, the main Italian workers&#8217; archive. Ten hours with San Candido&#8217;s dolomites, Turin&#8217;s Lingotto and CGIL Union&#8217;s main seat in Rome on the background, talking about everything.<\/p>\n<p>Ten years later, one year after Trentin\u2019s death, Giraldi decides it is time to edit those autobiographical, generation-mirroring words together with fifty-years-footage of Italian history. That\u2019s how an intense and moving portrait comes out, of one of the chief Italian unionist, a great intellectual and political character, a man endowed with the social and political vision of the work of labour. It is a story made of some fundamental bricks of Italian Twentieth Century \u2013 starting from France, where he was in exile, Padua, the university town where he started up anti-fascist resistance, Milan seen as a partisan city, Turin\u2019s Mirafiori dominated by Fiat at first, then impeded by the strikes. It is a story shot against the background of his working places (CGIL, his union) and his resting refuges (the Alps, where he loved to spend his holiday). From childhood and adolescence in France, through the workers\u2019 fights in 1968, until the clash with the government led by Giuliano Amato in 1992, due to the conflict about the abolishment of the sliding scale. That was a suffered and painful mediation, that ended up with the signature of the agreement. And with him resigning. Sixty years of Italian life spent among factories and desks.<\/p>","protected":false},"excerpt":{"rendered":"<p>Nel 1998 Franco Giraldi girava, per conto dell\u2019Aamod, una lunga, lunghissima intervista a Bruno Trentin.<\/p>\n","protected":false},"author":750,"featured_media":6285,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[37],"tags":[],"coauthors":[96],"_links":{"self":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts\/114"}],"collection":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/users\/750"}],"replies":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/comments?post=114"}],"version-history":[{"count":0,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts\/114\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/media\/6285"}],"wp:attachment":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/media?parent=114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/categories?post=114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/tags?post=114"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/coauthors?post=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}