{"id":1402,"date":"2008-07-22T14:08:10","date_gmt":"2008-07-22T14:08:10","guid":{"rendered":"http:\/\/www.vivofilm.it\/?p=1402"},"modified":"2023-07-17T13:11:41","modified_gmt":"2023-07-17T13:11:41","slug":"le-vite-possibili","status":"publish","type":"post","link":"https:\/\/vivofilm.it\/en\/production\/le-vite-possibili\/","title":{"rendered":"Possible lives"},"content":{"rendered":"<p>A film made of female faces talking, and by a man, a director, shooting them, hearing them while they talk, and imagining the meaning of what they say. At the end of his journey \u201cat the borders of Europe\u201d, Corso Salani revisits the myth of Baudelaire\u2019s passantes, translating it into the fragments of the real lives he gathered on the way. From Moldova to Israel, from Rumania to Gibraltar, the many women he met during the journey to the extreme edges of Europe, and who didn\u2019t find their place in the six episodes of the series, are now shown using an estranged key, mixing their face with the images of their lands. In the meanwhile they speak their language it is a women\u2019s language Salani cannot translate. He just edits it together with his projections. He is the master of a dense interior monologue, torn between desire, frustration and hope.<\/p>","protected":false},"excerpt":{"rendered":"<p>Un film di volti femminili che parlano e un regista che riprende e traduce&#8230;<\/p>\n","protected":false},"author":741,"featured_media":6331,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[37],"tags":[],"coauthors":[94],"_links":{"self":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts\/1402"}],"collection":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/users\/741"}],"replies":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/comments?post=1402"}],"version-history":[{"count":1,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts\/1402\/revisions"}],"predecessor-version":[{"id":7694,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts\/1402\/revisions\/7694"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/media\/6331"}],"wp:attachment":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/media?parent=1402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/categories?post=1402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/tags?post=1402"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/coauthors?post=1402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}