{"id":6977,"date":"2018-08-02T15:31:17","date_gmt":"2018-08-02T15:31:17","guid":{"rendered":"https:\/\/vivofilm.it\/?p=6977"},"modified":"2018-10-12T10:59:57","modified_gmt":"2018-10-12T10:59:57","slug":"nico-1988-uscita-nelle-sale-usa-concerto-tributo-a-nico","status":"publish","type":"post","link":"https:\/\/vivofilm.it\/en\/news\/nico-1988-uscita-nelle-sale-usa-concerto-tributo-a-nico\/","title":{"rendered":"&#8221;NICO, 1988&#8243; RELEASE IN THE USA + SPECIAL TRIBUTE TO NICO"},"content":{"rendered":"<p>Yesterday, <strong>Susanna Nicchiarelli&#8217;s &#8220;Nico, 1988&#8221;<\/strong> was released in the USA by\u00a0<a href=\"https:\/\/www.nico1988.com\/\"><strong>Magnolia Pictures\u00a0<\/strong><\/a>and it was selected as &#8220;Critic&#8217;s Pics&#8221; by The\u00a0<a href=\"https:\/\/www.nytimes.com\/2018\/07\/31\/movies\/nico-1988-review.html?nlid=85467202\">New York Times<\/a>.<\/p>\n<p>Check out the\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=AWvUNABT8sg\">trailer.<\/a><\/p>\n<p>Here you can find great reviews about the movie from some of the most important American critics:<\/p>\n<p>&#8220;Curiously, movingly, in the final scenes, [&#8230;] Nico at times seems to enjoy being Nico, and Dyrholm even dares a smile. Her performance works both as impersonation \u2014 her amused utterances sound a lot like the real Nico \u2014 but succeeds most as an investigation, even a summation. Nico, 1988 offers all I want from this kind of movie: a sense of what time with someone unknowable might have been like.&#8221; Alan Scherstuhl,\u00a0<a href=\"https:\/\/www.villagevoice.com\/2018\/07\/31\/nico-1988-demands-the-world-look-more-closely-at-the-one-time-chelsea-girl\/\">The Village Voice<\/a><\/p>\n<p>&#8220;This is a reclamation, [&#8230;] a posthumous gift to P\u00e4ffgen. [&#8230;] The singer herself might have hated Nico, 1988\u2018s insistence on such mythic highs and miserablist lows, if she didn\u2019t just shrug ambivalently at the notion or was simply content to roll her eyes. But Christa P\u00e4ffgen, the woman who remembered what it was like to see the world as her oyster and Berlin bombed when she was a girl? She would probably have loved it.&#8221; David Fear, <a href=\"https:\/\/www.rollingstone.com\/movies\/movie-reviews\/nico-1988-movie-review-705999\/\">Rolling Stone<\/a><\/p>\n<p>&#8220;One of many things Nicchiarelli\u2019s movie reminds us is that Nico\u2019s later music was darker, deeper, and infinitely richer than most people realize. In fact, the whole second half of her career was a defiant and fascinating repudiation of everything that had drawn people to the former model and muse in the first place.&#8221; Lindsay Zoladz, <a href=\"https:\/\/www.theringer.com\/music\/2018\/8\/2\/17642694\/nico-1988-velvet-underground-these-days-chelsea-girl\">The Ringer<\/a><\/p>\n<p>Tonight Magnolia Pictures has organized a special tribute at\u00a0<a href=\"https:\/\/lpr.com\/lpr_events\/nico-1988-tribute-august-2nd-2018\/\"><strong>Le Poisson Rouge<\/strong>\u00a0<\/a>in New York, where\u00a0<strong>Trine Dyrholm<\/strong>, the protagonist of the movie, will perform together with other great artist to celebrate Nico.<\/p>","protected":false},"excerpt":{"rendered":"<p>Yesterday, Susanna Nicchiarelli&#8217;s &#8220;Nico, 1988&#8221; was released in the USA by\u00a0Magnolia Pictures\u00a0and it was selected as &#8220;Critic&#8217;s Pics&#8221; by The\u00a0New York Times. Check out the\u00a0trailer. Here you can find great reviews about the movie from some of the most important American critics: &#8220;Curiously, movingly, in the final scenes, [&#8230;] Nico at times seems to enjoy being Nico, and Dyrholm even&#8230;<\/p>\n","protected":false},"author":233,"featured_media":6979,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"coauthors":[71],"_links":{"self":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts\/6977"}],"collection":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/users\/233"}],"replies":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/comments?post=6977"}],"version-history":[{"count":0,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/posts\/6977\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/media\/6979"}],"wp:attachment":[{"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/media?parent=6977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/categories?post=6977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/tags?post=6977"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/vivofilm.it\/en\/wp-json\/wp\/v2\/coauthors?post=6977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}